Gyung Jin Shin is an artist and researcher based in Hong Kong and Seoul.

Her practical and academic projects focus on the historical and social context of technicity, thereby drawing attention to the new ontological states that are emerging with the development of modern technology. As a researcher, her overarching aim is to connect the theory and history of art with contemporary philosophical issues associated with technology from the perspective of Critical Theory. Her current research interests include digital labor and new author discourses brought about by the advent of machine creativity. As a practitioner, drawing on her background in sculpture and new media, she has incorporated a wide range of digital media into her artworks in such contexts as physical computing, programming, generative art, and digital fabrication. In her recent projects, she highlights philosophical and ontological issues associated with technologies and draws attention to historical and societal contexts.